This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience. Jin Jiang documents and ana...(展开全部)

This indispensable guide for students of both Chinese and women’s history synthesizes recent research on women in twentieth-century China. Written by a leading historian of China, it surveys more than 650 scholarly works, discussing Chinese women in the context of marriage, family, sexuality, labor, and national modernity. In the process, Hershatter offers keen analytic insight...(展开全部)

This revised edition of Patrick Baert's widely acclaimed Social Theory in the Twentieth Century, now benefitting from the collaboration of Filipe Carreira da Silva has been brought right up-to-date with cutting-edge developments in social theory today. It offers an easy-to-read but provocative account of the development of social theory, covering a range of key figures and clas...(展开全部)

This revised edition of Patrick Baert's widely acclaimed Social Theory in the Twentieth Century, now benefitting from the collaboration of Filipe Carreira da Silva has been brought right up-to-date with cutting-edge developments in social theory today. It offers an easy-to-read but provocative account of the development of social theory, covering a range of key figures and clas...(展开全部)

"I think this is an outstanding book. The coverage is comprehensive, the lines of thought and exposition are clear, and the level of discussion is very high yet remarkably lively and accessible. It has an underlying intellectual seriousness and engagement which shines out through the individual chapters, and the author's unwillingness to make do with secondary analyses and rece...(展开全部)

"I think this is an outstanding book. The coverage is comprehensive, the lines of thought and exposition are clear, and the level of discussion is very high yet remarkably lively and accessible. It has an underlying intellectual seriousness and engagement which shines out through the individual chapters, and the author's unwillingness to make do with secondary analyses and rece...(展开全部)

贺萧（Gail B. Hershatter），女，美国斯坦福大学获博士学位，现任美国加利福尼亚大学圣克鲁斯校区历史系教授、文化研究中心主任。她长期从事文化史、劳工史、妇女史、性史和女性主义理论的研究。她的著作丰富，有《天津工人：1900-1949》、与霍尼格合著的《美国女学者眼中的中国女性》，与吉尔马丁等合编的《中国的产生：妇女、文化和国家》（哈佛大学出版社，1994年），与霍尼格等合编的《重新勘测中国》（斯坦福大学出版社，1996年），与霍尼格等合编的《中国妇女研究指南》（加州伯克利大学东亚研究所，1999年）等书。现正在研究中国西北农村的妇女问题，主题也是历史、记忆与社会性别身份问题。

This pioneering work examines prostitution in Shanghai from the late nineteenth century to the present. Drawn mostly from the daughters and wives of the working poor and declassé elites, prostitutes in Shanghai were near the bottom of class and gender hierarchies. Yet they were central figures in Shanghai urban life, entering the historical record whenever others wanted to appr...(展开全部)

"[德]史明理，美国克利夫兰艺术博物馆亚洲艺术部主任，中国艺术策展人。2008年至2016年间她曾任大英博物馆中国中亚收藏部馆员，2005年至2008年在海德堡大学担任东亚艺术史助理教授。史明理博士曾在海德堡、巴黎和台北学习，并在德国海德堡大学获得博士学位。曾编著《中国8世纪至21世纪的印刷图像》（大英博物馆，2010年）、《现代中国水墨画：一个世纪的新方向》（大英博物馆，2012年）、《蔡国强：凯霍加河闪电》（克利夫兰艺术博物馆，2019年）等多部展览图录。外文著作有《吴湖帆：20世纪上海艺术鉴藏家》（柏林，2008年）以及与米凯拉·佩乔霍娃合作编写的《现代中国绘画与欧洲：新视角，艺术家的碰撞以及收藏的形成》（柏林，2017年）。 郭卉，荷兰莱顿大学区域研究中心哲学博士，英国伦敦大学东非学院社会人类学硕士，现为南京师范大学社会发展学院文物与博物馆学...(展开全部)

Based on in-depth ethnographic research - and using an approach that seeks to understand how migration is experienced by the migrants themselves - this is a fascinating study of the experiences of women in rural China who joined the vast migration to Beijing and other cities at the end of the twentieth century. It focuses on the experiences of rural-urban migrants, the particul...(展开全部)